Usually, I can't ever find something that looks like a scene I've pictured in a book. Usually, when a movie comes out that is a book, I'm always dissapointed by the scenes and the people because they're not what
I pictured (unless I watch the movie first, then read the book). But this picture, this is exactly what I picture Stella's garden in
The Truth About Forever looking like:
I love this garden. It reminds me of summer, and the trees with the sun poking through, ohmygod, I'm taken back to a couple years ago. Isn't it so amazing, for a picture to bring back memories, laughter, or even anger? (Someday, I'd love to try out photography... someday...)
Here's a little excerpt from The Truth About Forever, just to see what I mean about this garden:
"Everything in the garden felt so alive. From the bright white flowers that reached out like trailing fingers from dripping branches overhead all the way down the short, squat berry bushes that lined the trail like stones, it was like you could feel everything growing, right before your eyes. I kept walking, taking in clumps of zinnias, petunias, a cluster of rosebushes, their bases flecked with white speckles of eggshells. I could see the roof of the doublewide over to my right, the road to my left, but the garden seemed thick enough to have pushed them back even farther on the periphery, as if once you entered it moved in to surround you, crowding up close to hold you there."
And then here's my favorite part, the part about the owner, named Stella:
"...I found myself at the back of a sculpture. It was a woman; her arms were outstretched to the side, palms facing the sky, and lying across them were slim pieces of pipe, the ends curving downwards. I moved around it and stood in its shadow, looking up at the figure's head, which was also covered in the thin, twisted pipes, and crowned with a garland made of the same. Of course this was one of Wes's, that much was obvious. But there was something different, something I couldn't quite put my finger on. Then, I realized that the sclupture's hair and those bits of pipe it was holding all ended in a washer bisected by a tiny piece of metal: every one was a flower. Looking at it from the top, where the moonlight illuminated those curling pipes, to the bottom, were the sculpture's feet met the ground, I finally got that this was Stella, the entire figure showing the evolution of that thick, loamy dirt moving through her hands to emerge in bloom after bloom after bloom."
I like to call this "The Evolution of Stella". Mostly because of the description, this is my favorite part of the book.Wouldn't you just love to walk through a dark garden only lit by the moon, in the middle of the night? Somehow, I think flowers would look more beautiful during this time than ever.